The dark green moss was not trimmed in large areas, leaving the texture of the original wool to look like the untouched, natural beauty of the moss. I trimmed different light colours of moss with different techniques to create different effects, combining different shades of green wool to bring out the layers and vibrancy of…

In my previous photographs, the moss would grow in different colours in different places, so I selected different shades of green to match each other and layer on top of each other. In addition to the various greens that are the colour of the moss, I also added three browns that represent the land.

To reflect the urban architecture, I used grey and black non-woven fabrics as the main background, cutting them into similar sized shapes and piecing them together in an orderly fashion, like the bricks and cement that make up the buildings, but without the hardness, keeping the overall soft and warm atmosphere. On the background I…

This work is a soft textile installation based on the theme of flowers and leaves that survive in the concrete forest (cities). I chose a total of three flower shapes and two leaf shapes to work with. I first drew out the plant shapes I wanted in Procreate and then decided on a rough final…

When considering the use of wool for the final piece, I thought about tufting, which is also wool, but is easier and quicker to make than wool felt. So I started to experiment with tufting，I chose a simple flower pattern to try，which I had seen in the kew garden and take photograph of it. I…

Portuguese artist Vanessa Barragao has recently shared her latest work ‘Algarvensis’, which was invited by the Albufeira Public Library in her home country. ‘Algarvensis’ is a fibre artwork made from recycled and renewable wool to showcase a vibrant natural landscape. When I saw her work, I was captivated by her innovative techniques and profound messages.…

I have collected a number of different shaped leaves from each of the parks around London. Most of them have a slightly rough texture. Each leaf vein is different in width, height and direction. I concentrated my drawings on the leaf veins, using coloured pencils and acrylic markers on paper. First time tried stitching, I chose…

Vietnamese designer, Nguyen Cong Tri, has been working in Haute Couture in Ho Chi Minh City for 20 years. His inspiration for this collection came from the flower vendors that line the streets near his studio, pushing home-grown tropical flowers. These flower vendors provide a splash of colour to the hustle and bustle of modern…

Inspired by Brain Forest Quipu from Cecilia Vincuna, I began to realise that fabric might be an ideal material, but it was new to me, so I didn’t have much idea of how to work with this. Until I entered a fabric shop that I pass by while shopping. In the fabric shop I saw…

During the course workshop, we were asked to make an installation out of paper, and I tried to work with just monochrome paper, which was the inspiration for Come Home Again. I thought that although monochrome paper might not be intricate and beautiful in itself, it might be a good match with light. The first…